Sharon Feder paints at the boundary between realism and abstraction, where a reflection is as much an abstract shape as it is light against a reflective surface.

Her interest in the formal and abstract qualities of composition and her evocation of the tensions between color and edge, drive the paintings to transcend the confines of regionalist documentation. Her work is addressed as much to the universality of human vision as it is to the particularities of time and location.

As the forms we construct and the terrain we inhabit mirror our notions of self, Feder's images are explorations of our solitude, our history, and our interconnection. In subject matter and through the rhythmic compositions of form and color, her paintings document and celebrate the choreography of our existence.